PROCEEDINGS PEER-REVIEWED
Kaiying, Lindtner, Wuschitz, 2018. CSCW 2018, Labor, Infrastructure, and Citizenship in Postcolonial Worlds. In Review Process.
EDITING
Wagner, Newman, Tarasiewicz & Wuschitz (Eds.) 2016, Openism: Conversations on Open Hardware, Edition Angewandte, 2016, ISBN/EAN: 9783950414066
Wuschitz, Schnell (Eds.) 2013, The ESSENCE 13, Abteilung DIGITALE KUNST, University of Applied Arts, exhibition catalog for student exhibition, ISBN:978-3-9503-563-0-4
Wuschitz, Schnell (Eds.), 2012, The ESSENCE 12, Abteilung DIGITALE KUNST, University of Applied Arts, exhibition catalog for student exhibition, ISBN: 978-3-9503141-5-1
BOOK CONTRIBUTIONS
Wuschitz, S. 2017, Interview, In: Visionen Gestalten, Interdisziplinäre Denkweisen und Praktiken in Design, Kunst und Architektur. Elisabeth Hartung (Ed.), München: ad edition, ISBN: 978-3-89986263-8
Wuschitz. S. 2016, Feministische Hackerspaces und andere Strategien technologischer Aneignung. In: VIS-A-VIS. Medien. Kunst. Bildung. Sonvilla Weiss (Ed.), Linz Ars Electronica. ISBN: Gebunden: 978-3-11-049996-4, e-Book: 978-3-11-049851-6
Wuschitz, S. 2016, Kampung Cultures. In: Friesinger G. (Ed.), paraflows .X - DIGITAL MIGRATION. Ökonomien zwischen Öffnung und Begrenzung, Wien: edition mono/monochrom
Wuschitz, S. 2016, ‘Openism. Conversations on Open Hardware’, Autoren/Herausgeber: Newman A., Tarasiewicz M., Wagner S., Wuschitz S., ISBN/EAN: 9783950414066
Wuschitz, S. 2015, Ein Megaphon bauen, In: Köver C, Burger D., Eismann S. (Eds). Hack's selbst! Digitales Do it yourself für Mädchen. ISBN 978-3-407-75410-3 © 2015 Beltz & Gelberg in der Verlagsgruppe Beltz, Weinheim Basel http://www.beltz.de/de/nc/verlagsgruppebeltz/gesamtprogramm.html?isbn=97...
Wuschitz, S. 2015, Creating mobile media and social change. In: Tornaghi C., Knierbein S.(Eds.), Public space and Relational Perspectives. New Challenges for Architecture and Planning, 2015, SkuOR, Routledge, ISBN-13: 978-0415821575 ISBN-10: 0415821576
Wuschitz, S. 2014, Hacking Feminism. In: Friesinger G. & Herwig J. (Eds.), Reverse Engineering. Open – Disect – Rebuild. Paraflows 2012, Transcript Verlag. ISBN 978-3-8376-2503-5
Wuschitz, S. 2013, Klänge aus dem Moos. In: Kuni V. (Ed.), HOME MADE BIO ELECTRONIC ARTS ÇDo-it-yourself: Mikroskope, Sensoren, KlangexperimenteÈ. Migros-Kulturprozent Christoph Merian Verlag: Basel. ISBN 978-3-85616-567-3
Wuschitz, S. 2012, Barbie Girl des Grauens. In: Eismann S., Kver C. (Ed.) Mach's selbst: Do it Yourself für Mädchen. Weinheim Basel: Beltz & Gelberg. ISBN 978-3-407-75363-2
Wuschitz, S., 2011, Access to Interfaces of Expression: A Workshop with Women Artists in Syria. In: Mörtenböck P. & Mooshammer H. (Eds.), Space RE:solutions: Intervention and Research in Visual Culture. Wien: Transcript Verlag. ISBN 978-3-8376-1847-1
Wuschitz, S., 2011, Creating mobile media and social change. In: Tornaghi C. & Knierbein S., (Eds.) Urban cultures and public space: civil society and conflict. Wien: Publisher TBC
Wuschitz, S., 2010, Workshop Monte Laa, In: Tornaghi C. & Knierbein S. (Eds.), Öffentliche Räume Favoriten. Playful spatial games. Werkstattbericht. Wien: Interdisciplinary Centre for Urban Culture and Public Space, vol. 107, pp. 76-77
EXHIBITION CATALOGUES
Wuschitz, S. 2011, Przedmieścia, suburbs, předměst, Vorstdte: międzynarodowy projekt artystyczny; international art project, Zbigniew B. (Ed.), Wydaw. Akademii Sztuk Pięknych, Academy of Fine Arts Krakow, Poland, 271 pages. ISBN 83623212960,98
Wuschitz, S., 2007, Teteschaus. She is crossing borders. In: Pakesch, P. (Hg.), Erzählungen -35/65+ Zwei Generationen. Köln: Verlag der Buchhandlung Walther König, pp.114-115
Wuschitz, S., Seyfried, G. & Zaiser, D., 2004. Cocoon. In: Hochschülerschaft der Universität für Angewandte Kunst Wien(Hg.), Kunst Rele:wandt?, Wien: Universität für Angewandte Kunst Wien pp. 104-105,
Wuschitz, S. & Lindinger, K., 2003. Ich will kein Dieb sein. In: Reder, C. & Ferfoglia, S., (Hg.), Transfer Projekt Damaskus, Wien: Springer Verlag, pp.283-287
Wuschitz, S. & Lindinger, K., 2003. Alltagssynfonien. In: Reder, C. & Ferfoglia, S., (Hg.), Transfer Projekt Damaskus, Wien: Springer Verlag, pp. 273-281
MAGAZINES/JOURNALS NOT PEER REVIEWED
Wuschitz, S. 2014. Gleichbehandlung in Hacker Spaces: Disruptive und integrative Praktiken .Contraste. Die Monatszeitung fr Selbstorganisation, Issue Dez 14, [ Retrieved from http://www.contraste.org]
Wuschitz, S., 2013. Female Makers. E-Journal p-art-icipate. Kultur aktiv gestalten. E-journal des Programmbereichs Contemporary Arts & Cultural Production, Schwerpunkt Wissenschaft & Kunst, Universität Salzburg in Kooperation mit der Universität Mozarteum. Issue 02/13. Politics and Cultural Resistance, Salzburg: University of Salzburg with Mozarteum [ Retrieved from http://www.p-art-icipate.net/cms/female-makers/]
Publications before 2011:
Wuschitz, S., 2010. Workshop Monte Laa, In: Tornaghi C. & Knierbein S. (Hg.), Öffentliche Räume Favoriten. Playful spatial games. Werkstattbericht. Wien: Interdisciplinary Centre for Urban Culture and Public Space, vol. 107, pp. 76-77
Wuschitz, S. 2010. DIY Technik. In: Eismann, S., Köver, C., Lohaus, S. & Tsomou, M. (Hg.), Missy Magazine. Popkultur für Frauen. Hamburg: Missy Magazin GbR, vol 2 pp. 40-41
Wuschitz, S., 2007. Arduino Microcontroller. In: Fiber. Werkstoff für Feminismus und Popkultur, Wien: Verein zur Förderung und Publikation feministischer Diskurse, vol. 11, pp. 8-9
Wuschitz, S., 2006. Media in Lebanon. In: Art in Migration. Wien: Kerstin Kellermann, vol. 3 p.20
Wuschitz, S., 2006. Zerstörte Hoffnungen In: An.schläge, vol. 9, p.14
Wuschitz, S., 2007. Teteschaus. In: Elben, G. (Hg.), Videonale 11 e.V.: Festival für Zeitgenössische Videokunst, Köln: Verlag der Buchhandlung Walther König, pp. 108-109,
10 MOST IMPORTANT PUBLICATIONS/WORKS
IN THE RESEARCHER’S ENTIRE CAREER TO DATE
Proceeding
Kaiying, Lindtner, Wuschitz, 2018. CSCW 2018, Labor, Infrastructure, and Citizenship in Postcolonial Worlds. In Review Process.
Art-based Research Projects
THE NENEK PROJECT: Artistic research project 2014-15, with Cindy Lin Kaiying and Lifepatch,
it was exhibited/presented at:
2017 // Medienwerkstatt Wien, Congklak, Vienna 2016 // MAMA in der Galerie3, Klagenfurt 2016 // Social Glitch, Kunstraum Niederösterreich, Vienna 2015 // AIL Vienna Bastard CROWD Expert Talks, Innovation Laboratory 2015 // Critical Make, House of Electronic Arts, Basel 2014 // Jogja Contemporary, Yogyakarta
https://vimeo.com/128240831
http://grenzartikel.com/projects/?p=1399
http://grenzartikel.com/projects/?p=1319
http://grenzartikel.com/projects/wp-content/uploads/2017/03/perfect-impe...
LOOPED SCROLL:
Interactive Installation, 2012
Arduino, Stroboskopes, 3D printed, 54 objects
Looped Scroll was exhibited at:
2015 // Art|Jog|8, Yogyakarta, Taman Budaya, 6.6 – 28.6.2015
2015 // Bouillants, Vern-Sur-Seiche, Le Genre, Bouillants, 4.4.-31.05., France
2012 // International Sinop Biennual, Sinop 01.08-12.09., Turkey
2012 // Schauraum, Museumsquartier, Vienna 23.03. - 06.05.12, Austria
http://grenzartikel.com/projects/wp-content/uploads/2012/05/Wuschitz_131...
http://grenzartikel.com/projects/?p=655
http://grenzartikel.com/projects/?p=1471
Video Teteschaus. 2006. This animation tells the story of girls in a Palestinian camp in post-war Lebanon.
https://www.flimmit.com/tetescha-us/
http://grenzartikel.com/projects/?p=76
Screenings of “Tetschaus“:
2008 // The Sign of Fear, Northern Center of Photography in Oulu, Finland
2007 // Galeria Hippolyte, Finland, The Sign of Fear, Finland
2007 // Videonale Kunstmuseum Bonn, Germany
2007 // Austrian Cultural Forum, Tricky women festival, NYC, US
2007 // Kunsthaus Graz, “Erzählungen -35/65+“ , Austria
2006 // MediaArtLab Graz, Austria
Book Editing: Conversations on Open Hardware edited by Andrew Newman, Matthias Tarasiewicz, Sophie-Carolin Wagner and Stefanie Wuschitz. Openism unravels the varying perspectives of key practitioners and theoreticians on the development of open hardware across the globe including Richard Stallman, Joshua Pearce, Andrew Huang, Katherine Scott, Madeline Gannon, Silvia Lindtner among others. In a series of conversations, the potential for, and the consequence of an openism approach is demonstrated through stories of 3D-printed stethoscopes in the gaza strip, hacked open Xboxes, trained robots, DIY gynecological equipment and complete science labs built out of open hardware.
Mz* Baltazar’s Laboratory
A collective and feminist hackerspace I founded in 2009. With focus on DIY projects on the intersection of arts, technology & feminism.
www.mzbaltazarslaboratory.org/
http://grenzartikel.com/projects/?p=1466
Articles about Mz* Baltazar‘s Laboratory by others:
1. Kurier, 9.12.2016:
https://futurezone.at/digital-life/mit-anderen-frauen-gemeinsam-an-compu...
2. Der Standard, 21.09.2016:
http://derstandard.at/2000044641182/Hackerinnen-machen-mit-Gemuese-Strom
3. Augustin, Marlene Brüggemann, 06.07.2016:
http://www.augustin.or.at/zeitung/artistin/hacken-heisst-die-angst-zu-be...
4. dpi. Feminist Journal of Art and Digital Culture
Studio XX, Montreal, Katharina Galla, 2011:
http://dpi.studioxx.org/demo/?q=en%2Fno%2F21%2FBaltazar-s-Laboratory-Fos...
http://dpi.studioxx.org/demo/images/21/Stefanie_Wuschitz_Interview_KG.mp3
http://www.mzbaltazarslaboratory.org/article-on-miss-baltazar-in-dpi-mag...
5. dpi. Feminist Journal of Art and Digital Culture
Studio XX, Montreal, Sophie Toupin, 2014:
https://dpi.studioxx.org/en/feminist-hackerspaces-safer-spaces
Research on International Feminist Hackerspaces
Based on my PhD thesis 'Feminist Hackerspaces. A Research on Feminist Space Collectives in Open Culture'.
http://grenzartikel.com/projects/?p=1510, http://grenzartikel.com/projects/?p=1307
De-Othering Machine
exhibited at:
2014 // GPL Contemporary, Vienna // interactive performance on 3 locations
2012 // Exhibition: Gesichtsfelder , ZS art Galerie
2011 // Exchange Radical Moments Life Art Festival Linz
http://grenzartikel.com/projects/?p=1264
Data Shaddow
exhibited 2014, at Steierischer Herbst, Ministry of Hacking, Media Art Laboratory, ESC
http://grenzartikel.com/projects/?p=1340
¡Dadada!
Delphine Mei (Taiwan), Niko Maly (Vienna), Sergio Solis (Mexico) and I were invited by the Taipei Culture Foundation to perform at the Taipei Fringe Festival, September 2011.
http://grenzartikel.com/projects/?p=350
¡Dadada! was performed at:
2011 // Fringe Festival Taipei, Taipei, Taiwan
2011 // Kauchung, Dogpig Art Café, Taiwan
2011 // Interactive Fluxus Performance Raum D, MQ, Art’s Birthday, Austria